art

How to make classrooms engaging

November 11, 2011

Towers Junior School Walters and Cohen London

Makes sense to me…teaching in a classroom that inspires rather than in one that puts you to sleep…I personally take the initiative in creating a teaching environment that “wows” a student into learning. Certain colors also have a positive effect on a student’s behavior and are more pleasing to the eye than just plain white barren walls. Teachers need to take a more active role in designing their classrooms … 

http://www.yepod.com/?p=18556

Pass it on,

Dr Anthony 


Powered by Guardian.co.ukThis article titled “How to make classrooms engaging” was written by Professor Stephen Heppell, for guardian.co.uk on Thursday 10th November 2011 11.06 UTC

An increasing number of teachers looking around their learning spaces today might be reflecting on how their classrooms have changed. So, what has been the main reasons for these developments?

The recession helped. Money is tight, and cost saving governments had two initial choices: take education back to the cheaper and simpler 1950′s model, or rely on incremental productivity – seeking a little more for a little less. However, the former can’t work because the world has moved on; the creative industries want a new fusion of art with computer science for example. And of course the productivity model has been widely tested with the inevitable performance plateaux seen everywhere. So, if we can’t go backwards and productivity gains are all spent, there is only one real option in a parsimonious world and that is to do things differently. Luckily, differently works.

Curiously that wise conclusion was also reached some time ago by a host of forward thinking teachers and students. The result has been a flurry of different, stunningly effective, affordable, evidence based “classrooms of tomorrow” popping up all around the world. Above all else these new spaces, with their agile pedagogies and designed playfulness generate engagement; the students and teachers in them love to work there. That engagement delivers on better behaviour, stellar results and delighted parents.

So what do these little time capsules from the future of learning all have in common beyond affordability? We teach with differentiation and personalisation, so it is surely no surprise to find a varied mix of seating and furniture. People like to stand, recline, chat at table, converse, focus and concentrate – and different furniture enables those behaviours in learning too, in a way that was never achieved with a set of identical straight backed chairs.

Great engagement feeds immersion – so we find longer blocks of time with fewer interruptions and one day or even longer timetable blocks – and November different to March. These agile learning space can change rapidly – with LED mood lighting, with curtain tracks and display surfaces, more like a stage than an office – to keep the day-to-day work fresh and exciting. And the braver schools are mixing ages in these spaces too. With no single point of focus, writing surfaces are everywhere – desks, walls, windows. The atmosphere of learing is pervasive and seductive. Curiously a substantial number of these spaces are shoes-off too. The shoeless revolution spread from Scandinavia. Just go with it, it works astonishingly well; shoeless boys are just plain nicer! And of course, these are globally connected tech-rich spaces with Skype bars and phones-out-on-desks.

In short, the simple rule is that if you create learning spaces that astonish children, they will astonish you right back with their learning. Rather encouragingly, it is not expensive to make learning this good. You only have to be brave, not rich!

Professor Stephen Heppell, Bournemouth University and Universidad Camilo José Cela, Madrid.

 

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Final hours of Spanish poet Federico García Lorca revealed

June 26, 2011

Museum dedicated to Federico Garcia, Granada, Spain  - 20 Nov 2008

The thought that a poet would be among those executed by firing squad makes me sick to the stomach. But its refreshing to know that after so much time, there are those motivated enough to uncover the truth behind this unnecessary killing of a great poet.

Pass it on,

Dr Anthony

Yepod.com


Powered by Guardian.co.ukThis article titled “Final hours of Spanish poet Federico García Lorca revealed” was written by Giles Tremlett in Madrid, for The Observer on Saturday 25th June 2011 20.19 UTC

One of the great mysteries of Spain’s recent history may have been solved by a local historian from the southern city of Granada, who claims to have found the real grave of the executed playwright and poet Federico García Lorca.

Miguel Caballero Pérez spent three years sifting through police and military archives to piece together the last 13 hours of the life of the author of Blood Wedding, Yerma and The House of Bernarda Alba, who was shot by a right-wing firing squad early in the Spanish civil war.

He now claims to have identified the half-dozen career policemen and volunteers who formed the firing squad that shot Lorca and three other prisoners, as well as the burial site. And he blames Lorca’s death on the long-running political and business rivalry between some of Granada’s wealthiest families – including his father’s own García clan.

“I decided to research archive material rather than gather more oral testimony because that is where the existing confusion comes from – with so many supposed witnesses inventing things,” explained Caballero, who has published his results in a Spanish book called The Last 13 Hours of García Lorca.

Caballero said his original intention had been to verify information gathered in the 1960s by a Spanish journalist, Eduardo Molina Fajardo, who was also a member of the far-right Falange organisation that supported the dictator General Francisco Franco.

“Because of his own political stance, Molina Fajardo had access to people who were happy to tell him the truth,” said Caballero. “The archives bear out most of what he said, so it is reasonable to suppose he was also right about the place Lorca was buried.”

That spot was said to be a trench dug by someone seeking water in an area of open countryside near a farm called Cortijo de Gazpacho, between the villages of Viznar and Alfacar. The zone is only half a kilometre from the spot identified by historian Ian Gibson in 1971 – which was controversially dug up in 2009, but where no bones were found.

“The new place makes sense because it is far enough from the villages to be out of eyesight and earshot, but you can also get there by car – as they would have needed headlights to shoot people at night,” said Caballero. Caballero took a water diviner to the area, who employed the same divining technique using a twig that was common in Lorca’s time. He detected a possible underwater stream. “It is reasonable, then, to suppose that someone might have dug a trench here looking for streams just below the surface,” said Caballero.

An archaeologist, Javier Navarro, has identified a dip in the ground that could indicate a grave. “It is by no means unreasonable to think there is a grave there,” said Navarro, who has found half a dozen civil war mass graves in other parts of Spain. “It would be very easy to find out. You only have to scrape away about 40cm of topsoil for an experienced archaeologist to say if the earth has been dug up before.”

The half dozen men who formed the firing squad shot hundreds of suspected leftwingers in the summer of 1936, with Lorca just one of them. They were given a bonus of 500 pesetas and promoted as a reward for carrying out the dirty work of the nationalist forces of the future dictator, Franco. “I call them the ‘executioners’ rather than the ‘murderers’ because, while some were volunteers, others were career policemen who risked being shot themselves if they refused,” said Caballero. One was said to have complained that the job “was driving him mad”. Some of the squad probably did not even know who Lorca was. “These were not the sort of people who read poetry. Lorca’s work was largely read by the elites,” he said. “They would have been more interested in the two anarchists shot with him, who had a reputation for being very dangerous.” But both the firing squad commander, a stern 53-year-old policeman called Mariano Ajenjo, and a volunteer member called Antonio Benavides – who was a relative of the first wife of Lorca’s father – would have known who he was. “I gave that fat-head a shot in the head,” Benavides reportedly boasted later.

The rightwing Roldán family, political rivals of Lorca’s father, had persuaded the city’s pro-Franco authorities to arrest and shoot the poet. A member of the Roldán clan, Benavides, formed part of the firing squad. One of his cousins was the model for a rogue character in The House of Bernardo Alba, finished a few months earlier, in which Lorca deliberately took aim at the rival Alba family. “They were angry with the father and took their revenge on the son,” said Caballero.

Apart from Benavides, none of the firing squad seemed proud of what they had done. “They didn’t speak to their families about all this. They are remembered as loving grandfathers who were silent about the civil war,” said Caballero.

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This week’s new films

May 23, 2011

Pirates Of The Caribbean: On Stranger Tides

Wow …we have a great line up of movies to look forward to….so make time to see them..get together with family and friends and enjoy time well spent on films.

Pass it on,

Dr Anthony

Yepod.com 


Powered by Guardian.co.ukThis article titled “This week’s new films” was written by Steve Rose, for The Guardian on Friday 20th May 2011 23.05 UTC

Pirates Of The Caribbean: On Stranger Tides (12A)
(Rob Marshall, 2011, US) Johnny Depp, Penélope Cruz, Ian McShane, Geoffrey Rush, Sam Claflin. 137 mins

Ahoy! Aha! Ahem. The excitement of another rip-roaring high seas adventure dissipates almost before they set sail in this lightweight epic of action set-pieces and people trying to get stuff they want. Depp is business as usual and the presentation is classy, but the new blood brings little to this non-party, which feels less like a story than a succession of twists and swoops along well-established tracks – like a theme-park ride, in fact. Oh, hang on …

Win Win (15)
(Tom McCarthy, 2011, US) Paul Giamatti, Amy Ryan, Bobby Cannavale. 106 mins

Giamatti’s hard-up lawyer inherits a whole heap of surrogate family issues, and a teen high-school wrestling ace, in a wry drama that doesn’t really stray out of its suburban comfort zone.

Julia’s Eyes (15)
(Guillem Morales, 2010, Spa) Belén Rueda, Lluís Homar, Pablo Derqui. 117 mins

Another shard of “Iberian gothic” in The Orphanage vein, with Rueda’s steady sight loss and mysteriously murdered sister making for a reliably slick slasher/suspense tale.

Blitz (18)
(Elliott Lester, 2011, UK) Jason Statham, Paddy Considine, Aidan Gillen. 97 mins

Statham plays a bubbly wedding planner. Just kidding: he’s a tough, rule-bending detective who makes use of his fighting skills on the trail of Gillen’s fame-courting cop killer.

Fire In Babylon (12A)
(Stevan Riley, 2010, UK) 87 mins

The West Indies’ rise as a cricketing force is done justice in this reverential reggae-backed documentary, which benefits from star testimonies, political perspective and being far shorter than an actual cricket match.

Age Of Heroes (15)
(Adrian Vitoria, 2011, UK) Sean Bean, James D’Arcy, Danny Dyer. 90 mins

Ian Fleming’s war years form the basis for this straightahead adventure, with Bean’s crack commandos on a snowy Norwegian mission straight out of Action Man.

Planeat (U)
(Shelley Lee Davies, Or Shlomi, 2010, UK/US) 72 mins

Documentary presenting a case for the personal and planetary benefits of eating less meat, via scientific evidence and tempting food-porn. A carrot, not a stick.

The Great White Silence (U)
(Herbert Ponting, 1924, UK) 108 mins

Scott’s doomed Antarctic expedition was beautifully captured by the observant Ponting, and now it’s been beautifully restored, with a new score to complement the still-powerful images.

Third Star (15)
(Hattie Dalton, 2010, UK) Benedict Cumberbatch, JJ Feild, Tom Burke. 92 mins

Four friends, one with terminal cancer, take a mildly eventful Welsh holiday in this low-budget drama, whose promise of final-act revelations might excuse some pacing issues.

Vidal Sassoon: The Movie (PG)
(Craig Teper, 2010, US) 93 mins

The snipper who changed the world (of hair, at least) looks back on his humble beginnings in this uncritical biodoc – is he retouching his roots?

Out from Friday

Le Quattro Volte

Italian art film guided by the natural rhythms of the countryside.

The Hangover Part II

More amnesiac buddy antics with the gang – this time in Bangkok. Out from Thu

Angels Of Evil

The makers of Romanzo Criminale tackle a charming Milanese gangster.

Diary Of A Wimpy Kid 2: Rodrick Rules

Sibling bonding issues in a kids’-eye comedy sequel.

Dancing Dreams

Doc on the making of Pina Bausch’s final, 40-person dance piece.

Heartbeats

Dreamy French-Canadian drama on a bisexual object of desire.

Life, Above All

A village schoolgirl carries the burden in this South African drama.

Apocalypse Now

Restored print of Coppola’s mighty war movie.

Coming soon

In two weeks … Superheroes before they were famous in X-Men: First Class … The fast times of an F1 racer in Senna

In three weeks … Jack Black back on the attack in Kung Fu Panda 2 … Sex, highs and the apocalypse in college comedy Kaboom

In a month … Ryan Reynolds sees the light in Green Lantern… Globally sourced diary doc Life In A Day

guardian.co.uk © Guardian News & Media Limited 2010

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Zachery Eichelberger

December 26, 2009

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